The Soundboard Transducer
Steingraeber Creates New Artistic Possibilities With Electronics
Electronics are not always used to serve artistic and creative expression in the world of music. They are often used for muting, or in ‘player pianos’ for example, and in pop music where, of late, the sound just booms out directly from the piano’s soundboard. A musical enhancement? Hardly!
However there are a multitude of professional applications that electronics can offer music and Steingraeber & Söhne has demonstrated just that in a series of trial runs* by composer Robert HP Platz from the University of Musik Würzburg, and pianist Clara Murnig from the Beethoven Institute at the University of Music Vienna. This particular transducer technology was born out of a collaboration between Robert HP Platz and IRCAM Paris, and subsequently optimised in SWR’s (Südwestrundfunk) Experimental Studio in Freiburg. The startlingly-authentic grand piano sound is thanks not to out-dated sampling techniques, but to the physical modelling approach of piano sound ‘Guru’ Philippe Guillaume and his firm Modartt/pianoteq.